The Pittsburgh Public Theater, in collaboration with Ghostlight Theatre Company, invited students to see the world premiere of “Billy Strayhorn: Something to Live For” on Tuesday, September 19. Written by Rob Zellers with Kent Gash, the show includes music and lyrics from Billy Strayhorn himself.
From his beginnings as a young composer in Pittsburgh to his life in New York working with Duke Ellington, this musical follows the highs and lows of Strayhorn’s life. He struggles to handle his personal life alongside his career, facing the challenges of living as a Black man who is openly gay in the mid-20th century. With America on the brink of the civil rights movement, Strayhorn must overcome both sexual and racial barriers. Working in association with fellow icons Billie Holiday and Lena Horne, his unique style of classical jazz is showcased through songs such as Lush Life and Take the ‘A’ Train.
Darius de Hass as Billy Strayhorn is a true delight to watch. De Hass brings life to the composer in a way all his own. Even with the pressure of playing the title character in a world premiere, he did not disappoint. Each line was delivered with such passion and intent that truly conveyed the story. Darius de Hass’s vocal performance was strong and added to the joy of watching the growth of Billy. His commitment to the character and his message is evident to any viewer.
The show deals with many themes of racism and homophobia, focusing on how Billy Strayhorn and other characters of affected communities deal with them. While Strayhorn is proud of being Black and gay, Duke Ellington worries about the effect it will have on his career. Where Billy wants to openly support the marches for racial justice, Duke is wearier, wondering the effect it will have on his chances of white-run businesses still hiring them. Director Kent Gash addresses these issues head-on, such as in a scene where a fight breaks out in a club due to a homophobic insult directed at Billy.
Each character, no matter how small, has a personal setback they are trying to overcome throughout the show to reach their dreams. These range from wanting their parent’s approval, to facing health issues, or even confronting racial setbacks. For some characters, their aspirations change when they find out what actually matters to them and how to achieve it.
The productional elements are simple but very effective. The first pieces to take notice of are the piano hanging from the ceiling and the light-up signs of the clubs visited during the show. With few permanent, physical sets, the show uses media design and lighting to engage the audience in the mid-20th century. During Multi-Colored Blue, real footage from the civil rights movement is incorporated, visualizing how these characters and Black Americans of the time struggled for their rights and freedom. The costumes were stunning and had impeccable detailing. From beautiful colorful dresses to the finest of tailored suits, the costumes added to the atmosphere.
“Billy Strayhorn: Something to Live For” was one of the best theatrical experiences I have attended in a long time. I cannot advocate my love for this show enough. From its performances, story, writing, direction, music, and technical production, there is something for everyone to enjoy. You can witness the magic of “Billy Strayhorn: Something to Live For” until October 11th at the Pittsburgh Public Theater.
