Spotify rolls out new AI DJ feature that attemps to brings back the disc jockey
Written By Kylie Thomas, Co-Features/A&E Editor
• March 29, 2023
JPEGMAFIA and Danny Brown collaboration review: quality beats, underwhelming mixing
Written By Jake Dabkowski, Editor-in-Chief
• March 29, 2023
Depeche Mode releases ‘Memento Mori’ with potential for a nostalgic end to the band’s career
Written By Ana Bellamy, Staff Writer
• March 29, 2023
“Men on Boats” delivers timely gender norms commentary
Written By Erin Yudt, Editor Elect
• March 22, 2023
100 Gecs’ sophomore album evolves group’s sound
The duo's 2019 debut "1000 Gecs" defined the hyperpop subgenre, but with "10,000 Gecs" the group heads in a new, punk and nu-metal inspired direction
Written By Jake Dabkowski, Editor-In-Chief
• March 22, 2023
Alt-rock band “The Killers” bring Las Vegas flair to Pittsburgh
Written By Ana Bellamy, Staff Writer
• March 22, 2023
August Wilson Archive celebrates it’s opening with a once-in-a-lifetime event
Written By Ana Bellamy, Staff Writer
• March 15, 2023
Netflix’s ‘Murdaugh Murders: A Southern Scandal’ continues to glorify true crime
Written By Erin Yudt, Editor Elect
• March 15, 2023
NF introduces new era to rap genre
Written By August Stephens, Opinions Editor
• March 15, 2023
‘Scream IV’ contributes to endless Scream franchise
Written By Dan Russo, For The Globe
• March 15, 2023
“Silversun Pickups” put on fun, energetic show at the Roxian
Written By Ana Bellamy, Staff Writer
• March 8, 2023
“Beetlejuice” musical teems with wit and charm
Written By Erin Yudt, Editor Elect
• March 8, 2023
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