The Globe Staff recommends albums for finals week
Written By Jake Dabkowski, Editor-In-Chief
• April 19, 2023
“Sense and Sensibility” makes no sense, but complete sense
Written By Erin Yudt, Editor Elect
• April 19, 2023
Waterparks continues to push alt-rock boundaries
Written By Kylie Thomas, Co Features/A&E Editor
• April 19, 2023
New ‘John Wick’ is saga’s biggest film yet
Written By Jake Dabkowski, Editor-In-Chief
• April 4, 2023
Goth meets whimsical in new Melanie Martinez album ‘Portals’
Written By Ana Bellamy, Staff Writer
• April 4, 2023
‘Agent Elvis’ offers creative spin on history and singer’s career
Written By Rachel Ross, Co Features/A&E Editor
• April 4, 2023
Pinnacle Productions’ ‘Falsettos’ tugs at heartstrings
Written By Kylie Thomas, Co Features/A&E Editor
• April 4, 2023
Spotify rolls out new AI DJ feature that attemps to brings back the disc jockey
Written By Kylie Thomas, Co-Features/A&E Editor
• March 29, 2023
JPEGMAFIA and Danny Brown collaboration review: quality beats, underwhelming mixing
Written By Jake Dabkowski, Editor-in-Chief
• March 29, 2023
Depeche Mode releases ‘Memento Mori’ with potential for a nostalgic end to the band’s career
Written By Ana Bellamy, Staff Writer
• March 29, 2023
“Men on Boats” delivers timely gender norms commentary
Written By Erin Yudt, Editor Elect
• March 22, 2023
100 Gecs’ sophomore album evolves group’s sound
The duo's 2019 debut "1000 Gecs" defined the hyperpop subgenre, but with "10,000 Gecs" the group heads in a new, punk and nu-metal inspired direction
Written By Jake Dabkowski, Editor-In-Chief
• March 22, 2023
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