Amongst other modern artists, Halsey’s music has always especially stood out to me for its honesty and sincerity. Regardless of what you know about her and her life, it’s apparent in every release that she wears her heart on her sleeve and draws deeply from her experiences. She reflects on herself and her actions, as well as the things happening around her. 

It is already apparent that this has never been more true than on her new album, “The Great Impersonator.” This is her latest release after battling life-threatening health issues. 

In June, the singer revealed on social media that she had been diagnosed with both systemic lupus erythematosus (SLE) as well as a rare T-cell lymphoproliferative disorder in 2022. 

“Both of which are currently being managed or in remission,” Halsey wrote in her social media post. “And both of which I will likely have for the duration of my life.”

The post came after the release of the album’s first single, “The End,” which addresses Halsey’s experience with her diagnosis and beginning treatment. Since then, the subsequent songs to be released have addressed different aspects of her experience, including managing her public persona and finding support in family and friends. 

In the five tracks released so far, Halsey creates an album profile that feels authentic to her established style but also vastly stripped back, in favor of simple backings and raw vocals. 

The sound is consistently reminiscent of the early 2000s, especially on single “Lonely is the Muse,” which is extremely reminiscent of Evanescence, who the singer has cited on social media as being an album influence. 

“Ego,” which Halsey says is inspired by “The Cranberries,” also wears its influence on its sleeve, delicately weaving the band’s style with Halsey’s for a product that sounds distinct, yet nostalgic, with harsh drums and crisp guitar. 

“Lucky,” which addresses rumors that circulated while Halsey kept her diagnosis private, has a bit of a Natasha Bedingfield quality, with twinkling chords and thumping drums. 

Other entries, such as “The End” and “I Never Loved You” are vastly stripped back in favor of vocals and lyrics. 

While Halsey has always been lyrically talented, managing to relay her experiences plainly through layered, clever lines, she outdoes herself on just these singles already. Though it might be easy to make that claim on the subject matter alone, the level of reflection and introspection that Halsey demonstrates in these songs, and her ability to convey it so artfully and candidly, transcends that possibility. 

With lyrics that run the gamut from gently tender to harshly cutting, Halsey makes it clear that this album is a raw, reflective declaration of her experience. It’s a tribute to the people that have aided her in both her musical and personal journeys. 

The remainder of the album, with a total tracklist of 18, is set to release on Oct. 25. It is available to pre-save or purchase on music streaming platforms and Halsey’s website.